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Sony MDR-Z7 Hi-Res Stereo Headphones Review (Updated)

The Sony MDR-Z7 headphones convey flawless, nitty gritty sound, with exact bass profundity and completely clear highs.

Audiophiles and experts looking for precise earphones can regularly keep running into inconvenience in our period of helped bass. Sony’s MDR-Z7 earphones, in any case, are blocked to bring out detail, not overstate the lows. This isn’t to state they don’t give perfect bass profundity if there’s profound bass in the blend, you’ll hear it, alongside each other component. Furthermore, in the highs, the earphones give perfect clearness, making them a significant genius level instrument for reference and blending. At under $699.99, the Z7 headphones aren’t shabby, yet they convey a glorious listening knowledge deserving of our Editors’ Choice.


The MDR-Z7 earphones include huge circumaural (over-ear) earcups that totally encase the ear and even figure out how to give it some space. The lavishly padded calfskin earpads scarcely reach the ear, leaning against the jawline, sanctuaries, and scalp. The fit is exceedingly agreeable, and notwithstanding the massive edge, moderately lightweight. The underside of the headband is likewise completely cushioned and applies almost no weight on the highest point of the skull.

The 2.76-inch neodymium vault drivers are recessed in the walled in areas. There are little grilles on the lower external boards of each earcup that some solid escapes through. The plan is “enveloped,” sending acoustic reflections back to your ears and making an amazing feeling of profundity and space, like what many open-style earphones can accomplish.

With an expressed recurrence scope of 4Hz to 100kHz, it’s protected to accept that there isn’t much in the recurrence extend that the earphones blend, regardless of whether those numbers appear to be relatively conspicuous in how low and high they are. (An average recurrence go for earphones is more similar to 20Hz to 20kHz, and even most genius level models don’t tend to include excessively in either course.)

To guarantee an exact ear-to-ear fit, and consequently an exact stereo picture, Sony has denoted the inside of the headband with exact estimations like the lines of a ruler that are numbered so each earcup can be balanced indistinguishably. Besides, these imprints are detented, so that the earcups snap to the following estimation checking with a tick when moved. The audiophile in me wishes this were an obligatory earphone configuration rehearse.

Sony incorporates a separable Y-style 6.6-foot link that screws into each earcup’s jack for a safe association. The link ends in gold-plated 3.5mm and ships with a 0.25-inch headphone jack connector. The cabling incorporates a devoted ground wire for both left and right channels, as opposed to a common wire for both, which causes downplay cross-talk.

Instead of incorporate a second link with an inline remote, Sony selected to incorporate an outstandingly long 9.9-foot expansion link. This augmentation is perfect for studio utilize it’s uncoiled, however can without much of a stretch reach over a sensibly expansive room. Obviously, the semi-open style of the earcups implies that utilizing these for following is definitely not a genuine probability (they would be perfect blend room following or blending earphones, be that as it may). All things considered, at this cost, incorporating a link with a remote for use with a telephone or tablet would have been valued. There’s additionally no conveying pocket or case, which feels like an oversight at this cost range and application.


We led the larger part of our testing utilizing an Apogee Symphony I/O associated with a Mac Pro for our sound source. Extra testing was performed utilizing an iPhone 6s a more improbable sound source given the MDR-Z7’s moderately high impedance, however we were as yet ready to get a lot of volume out of the drivers in this setup.

First how about we talk about the bass reaction, or, in other words. Nothing is imagined here, so if the track you’re tuning in to was blended with moderate bass, the earphones won’t help the lows like about 75 percent of the models we test do. In any case, if the track being referred to does for sure pack some great, profound bass, Sony conveys the perfect merging of lucidity and full profundity. On tracks with extraordinary sub-bass substance, as knife The’s “Quiet Shout,” the drivers convey a precise pound that will sound dialed-back to anybody used to the full-throttle bass experience commonplace of today however there’s a lot of profundity here. You’d never blame these earphones for sounding remotely thin, and the whole recurrence go is all around spoke to it’s a fresh, nitty gritty, full stable.

Bill Callahan’s “Drover,” a track with far less profound bass in the blend, gives us a superior feeling of what the earphones do with more unpretentious low recurrence content. The drums on this track can sound loud on bass-forward earphones, however here they sound full and round, and surely not excessively bass-helped. Besides, you get a feeling of the space the drums were recorded in it sounds like you’re in a similar live with them. Callahan’s baritone vocals have a stunning low-mid wealth through the MDR-Z7, coordinated with some treble edge that gives phenomenal clearness. Where the acoustic guitar assault can here and there sound a bit excessively extreme on profoundly etched earphones that change the high-mids and highs to coordinate helped bass, here the assault sounds light, fresh, and even vaporous on occasion. This is an exact, excellent sound mark.

On Jay-Z and Kanye West’s “No Church in the Wild,” the kick drum circle gets the high-mid nearness expected to give its assault a sharp, punchy nearness, but at the same time it’s coordinated with some low and low-mid pound. It’s a full solid that we once in a while get for this track regularly the assault rules, or the lows are heaped on and the assault sounds dulled. Here, there’s a parity, and the outcome is an energetic, ricocheting nearness. The sub-bass synth hits that intersperse the beat are conveyed with perfect profundity. The vocals are additionally given flawless lucidity when the support track drops away and you hear just Kanye’s voice, it feels as though his mic is ideal by your ear, with everything about and no sibilance included.

Instrumental tracks, similar to the opening scene from John Adams’ The Gospel According to the Other Mary, sound sublime through the Sony MDR-Z7. Lower enroll instrumentation gets the body and vibrance expected to stay the delightful account. The higher enroll metal, strings, and vocals are fresh, brilliant, and perfectly clear. Once more, you get the sentiment of being in the live with the performers the drivers, recessed marginally, give a superb feeling of room.


  • Outstanding sound execution with rich, exact lows, and nitty gritty, clear highs.
  • Exceedingly agreeable over long listening sessions.


  • No additional link with inline remote control.
  • No conveying case or pocket.


Sony’s MDR-Z7 earphones sound stunning they’re consummately suited for those looking to hear each and every detail. All classes sound incredible through their drivers, and the fit is agreeable, notwithstanding amid long listening periods. To check blends in an expert limit, the earphones are a brilliant, exact alternative. For music sweethearts at home, or notwithstanding tuning in on telephones and tablets, they’re likewise victors. The level of value is completely in accordance with what you can expect at the cost, acquiring the Z7 our Editors’ Choice.